
Sunday, 21 June 2026
Laugh your way to good health

Thursday, 18 June 2026
Wednesday, 3 January 2024
Chekhov called The Seagull ‘a comedy’. The Sydney Theatre Company seems to forget it was a tragedy, too
Prudence Upton/Sydney Theatre Company Alexander Howard, University of SydneyWhat is comedy?
This is the question I kept coming back to while watching Andrew Upton’s adaptation of Anton Chekhov’s The Seagull, which opened to warm applause – and a touch of controversy – at the Sydney Theatre Company on Saturday.
Theatre scholar Eric Weitz notes that comedy is a genre “with characteristic features”.
Laughter, humour, distraction. These are some of the terms associated with comedy.
Comedy is also restless. As Weitz acknowledges, comedy “embraces a range of subgenres” and often “cross-pollinates with other genres to form the likes of tragicomedy”.
These cross-pollinations can often confuse.
Consider the very first performance of The Seagull, subtitled “a comedy in four acts”.
The notorious performance at the Alexandrinsky Theatre in Saint Petersburg on October 17 1896 was an unmitigated failure. The audience jeered; the reviews were scathing.
Chekhov reads The Seagull with the Moscow Art Theatre company, 1898. Wikimedia CommonsIn a letter sent to the publisher Aleksey Suvorin the very next day, a wounded Chekhov declared he would never again “write plays or have them acted”.
The reason why the premiere went so badly has to do with audience expectations. As essayist Janet Malcolm explains, there were special circumstances on the night in question.
The performance was part of a benefit event for E. I. Levkeeva, a popular Russian comic actress, “and so the audience was largely made up of Levkeeva fans, who expected hilarity and, to their disbelief and growing outrage, got Symbolism.”
Primed for broad comedy, the audience didn’t know what to do with Chehkov’s groundbreaking spin on the genre, which broke with established realist modes and placed emphasis on metaphorical imagery and allegorical tropes.
While the play, which speaks to the themes of art and desire, has many funny moments, it simultaneously foregrounds discussions of mortality and depictions of madness. And it ends with a suicide.
Moreover, Chekhov’s play is one where, as the academic James Loehlin writes
the old win out over the young, where hope and the impulse for change are crushed, in part through their own fragility and lack of conviction, but in part by the proficient ruthlessness of the seasoned old campaigners, their elders.
I mention this because the serious and subtle aspects of The Seagull – many of which continue to resonate today – can get lost in modern takes on Chekhov’s play.
This is true of the Sydney Theatre Company’s production. Adapted by Upton and directed by Imara Savage, this version showcases the sound work of Max Lyandvert and features a meta-theatrical set designed by David Fleischer.
The adaptation is set in contemporary rural Australia and uses anglicised character names. Upton and Savage stick with Chekhov’s formal structure, but privilege the comedic at the expense of pretty much everything else when it comes to delivery.
This has ramifications for how the adaptation pans out.
Success beckons, tragedy befalls
The play comprises four acts and centres on four characters who mirror each other.
Constantine (Harry Greenwood) and Boris (Toby Schmitz) are writers. Boris is famous. Constantine – a college dropout who fancies his chances as an avant-gardist – is most definitely not.
Irina (Sigrid Thornton) and Nina (Mabel Li) are actors. Irina, who is Constantine’s mother and Boris’s lover, is a renowned stage star. The ingénue Nina, who is dating Constantine, desperately wants to make it.
Success beckons, but tragedy eventually befalls Nina – who leaves Constantine for Boris – in the two year gap between the play’s third and fourth acts.
These characters are joined by several others, including Irina’s ailing landowner brother Peter (Sean O'Shea), and a depressive young goth, Masha (Megan Wilding). With the exception of one, every character in the play is morose.
With the exception of one, every character in the play is morose. Prudence Upton/Sydney Theatre CompanyThe first act is structured around an abortive performance of an experimental theatre piece Constantine has worked up. Nina and Boris grow close in the second, while Irina holds court. At the start of the third act, it is revealed Constantine has tried to take his own life. Boris threatens to leave Irina for Nina. Hilarity ensues as Irina tries to win him back.
The atmosphere that the Sydney Theatre Company creative team establishes in each of these acts is lighthearted and largely humorous. Indeed, there are some moments, as when a gravely ill Peter convulses on the ground in the third act, when the onstage action almost tips over into outright farce.
As Chekhov himself insisted, different types of comedy – including farce – had roles to play in The Seagull. However, the overarching tonal emphasis in this adaptation causes problems in the play’s last act, which is set indoors during the Australian winter.
Peter, not long for the world, spends his time talking about how he regrets his entire life. The other characters fob him off. Constantine has made headway as a writer, but is deeply unhappy. He pines after Nina, who dropped off the radar somewhere between acts.
Time passes, and trivialities exchanged. A bedraggled Nina reappears. The story she tells is one of sorrow and woe. A genuinely moving moment, the speech is delivered with real affective intensity – undoubtedly the high point of the production.
However, the tonal chasm between the final act and the preceding three is simply too great.
In keeping with Chehkov’s original, comedy ultimately gives way to tragedy, but something seems to have been lost along the way.
The Seagull is at the Sydney Theatre Company until December 16.
If this article has raised issues for you, or if you’re concerned about someone you know, call Lifeline on 13 11 14.![]()
Alexander Howard, Senior Lecturer, Discipline of English, University of Sydney
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Friday, 22 September 2023
Tunisia detains cartoonist over drawings mocking prime minister

Sunday, 25 December 2022
How Santa Claus delivers toys around the world in just 1 night
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wants a snowboard. A sophisticated signal processing system filters the data, giving Santa clues on who wants what, where children live, and even who's been bad or good. Later, all this information will be processed in an onboard sleigh guidance system, which will provide Santa with the most efficient delivery route. However, he adds that letters to Santa via snail mail still get the job done. "While he takes advantage of emerging technologies, Santa is, in many ways, a traditionalist," he said. Silverberg is not so naive as to think that Santa and his reindeer can travel approximately 200 million square miles, making stops in some 80 million homes, in one night Instead, he posits that Santa uses his knowledge of the space/time continuum to form what he calls "relativity clouds." "Based on his advanced knowledge of the theory of relativity, Santa recognizes that time can be stretched like a rubber band, space can be squeezed like an orange and light can be bent. "Relativity clouds are controllable domains - rips in time - that allow him months to deliver presents while only a few minutes pass on Earth. The presents are truly delivered in a wink of an eye," Silverberg said.
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With a detailed route prepared and his list checked twice through the onboard computer on the technologically advanced sleigh, Santa is ready to deliver presents. His reindeer, genetically bred to fly, balance on rooftops and see well in the dark, don't actually pull a sleigh loaded down with toys. Instead, each house becomes Santa's workshop as he utilizes his "magic bag of toys", a nano-toymaker that is able to fabricate toys inside the children's homes. The presents are grown on the spot, as the nano-toymaker creates, atom by atom, toys out of snow and soot, much like DNA can command the growth of organic material like tissues and body parts. Therefore, there's really no need for Santa to enter the house via chimney, although Silverberg says he enjoys doing that every so often. Rather, the same relativity cloud that allows Santa to deliver presents in what seems like a wink of an eye is also used to "morph" Santa into people's homes. (ANI) Source: News Track India
Wednesday, 12 August 2015
Laughter is the Best Medicine: The Health Benefits of Humor
Tuesday, 3 March 2015
Wednesday, 2 April 2014
DGCA-Chopping Arms to Save the Legs
By Neelam Mathews: India's DGCA's feeble attempt to prove to FAA how serious it is on its filling gaps on its inadequate regulatory oversight on safety can be seen in its release of information to the media, which, many consider inappropriate. Take the checks on the Challenger 605 in Delhi recently, for instance. This was a regular check and should have been the practice ever since Indian business aviation took off. However, to have overblown it in such a way, is a mistake on DGCAs part. Very clearly, it is causing damage to the business aviation industry as it tries to limp back to a saner business environment. At first glance, this story might look one-sided. Nevertheless, Aerospace Diary is known to give the dog its due. We in the industry know of the levels of safety recognized by regulators in which level one observations are serious as they impinge on safety. Level 2 can be mitigated as in the case of the Challenger, and such oversights are not meant for public consumption as the oversights.jpg)
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TV!

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Thursday, 26 July 2012
CartoonCharacter KingJulien for President of Pakistan!
PTI, Islamabad: If young Pakistanis had their way, they would make sure that the cartoon character King Julien from the film Madagascar is the hottest candidate for post of President when their country goes to polls next. King Julien is a strong contender for the top post because he will put his '100 per cent' into everything that he does as President; the only ‘NRO’ he will pass will be the "National Rock 'n' Roll Order"; and he will not try to flirt with Sarah Palin and tell her that she was better off "fighting grizzly bears in Alaska", or so say young Pakistanis. So far, King Julien has over 6,000 fans in the virtual world and the number is likely to multiply as the presidential election scheduled for 2013 nears. The creator of the King Julien group on Facebook, Zubair Nabi has been listing reasons why the cartoon character would make a good President. "Reason number 6: King Julian is going to make sure that minorities, both religious and ethnic enjoy equal rights in Pakistan across the board," Nabi posted on King Julien’s fan page on Facebook Once King Julien is in his seat, it would be ‘illegal’ to call anyone an American, Indian or Israeli agent "just for the sake of winning an argument".Source: The Asian Age, ***











